FURTHER INTRODUCTIONS OF DEMONIC DEITIES: LAMIA & JOHN KEATS (PTSD DREAMS)



FURTHER

INTRODUCTIONS


OF

DEMONIC DEITIES





QUEEN DEMONESS


"LAMIA"





"MADONNA"


(THE VIRGIN MOTHER OF GOD)





CREATED


BY


J. BECK



2025





MEETING

DEMONIC DEITIES: 


QUEEN DEMONESS

"LAMIA"


&

JOHN KEATS


(PTSD DREAMS)








VISITING


THE MADONNA:






History and Origins of Lamia


Lamia Originates

From Ancient Greek Mythology


First Appearing in References

As early as the 5th century BCE

In Works by Aristophanes



Lamia began as a Beautiful Queen

Of Ancient Libya (North Africa)


Often Described as the Daughter

Of King Belus or (Sometimes) Poseidon


Her Beauty attracted Zeus

Who took her as a Lover


& Fathered

Several Children with Her




In the

Most Common Myth


Zeus's Jealous Wife Hera Punished Lamia 

Severely for the Affair


Hera either Killed Lamia's Children 

Or Forced Lamia to Kill them Herself


Driven Mad

By Grief & Envy


Lamia Began Stealing & Devouring

Other People's Children





This

Act Transformed Lamia

Into a Monstrous Daemon

(Spirit or Demon)





Some accounts rationalize her

As a Cruel Queen whose Savagery

Distorted her appearance


While Others Portray

Lamia's Transformation

As Direct

Divine Punishment




Over time

The Myth Evolved:


In Later Classical & Roman Traditions

"Lamia"

Became Pluralized as "lamiae"


A

Class of Night-Haunting

Female Demons

Similiar to Vampires or Succubi



Lamia

Influenced Folklore Across Cultures

With Parallels to Mesopotamian Demons


Like Lamashtu & Later Associations

With Figures like Lilith in Jewish Tradition


Modern Greek Folklore 

lamiae persist as bogey figures associated

 With Uncleanliness Gluttony &

Child-Strangling


The Story was Popularized in Literature 

Notably in John Keats' 1819 poem Lamia 


Which reimagined her

As a Seductive Serpent-Woman




ATTRIBUTES & CHARACTERISTICS

Lamia's Traits vary Across Sources


Reflecting her Evolution

From a Tragic Figure to a Terrifying Monster



PRIMARY BEHAVIORS 

  CHILD-DEVOURING:


Lamia's Core Attribute

Is Preying on Infants & Young Children

Often Snatching them to Eat


Or Drink their Blood—Making Her an

Early Prototype for Vampires


SEDUCTION OF MEN:


In Later Traditions

(Philostratus' lLife of Apollonius of Tyana)


Lamia Shapeshifts

Into a Beautiful Woman


To Lure & Devour Young Men

Feeding on their Flesh or Vitality





Physical Appearance:


  Originally Human & Beautiful as a Queen


  Post-transformation:

Often depicted as ugly & distorted

With a foul odor


Some Ancient Sources

Describe her as Hermaphroditic

Or Beast-like 



  Iconic Serpent Form:

Upper Body of a Beautiful Woman

(Head Torso Breasts)

Lower Body a Snake's Tail


This Hybrid Depiction

While not Universal in Early Myths

Became Dominant in Later Art & Literature 


Influenced by

Keats & Renaissance Emblems






Supernatural Powers:


  Removable eyes:

Zeus granted her the ability to take out & reinsert her eyes

To relieve Hera's curse of insomnia forcing her to forever see her dead children


  Shapeshifting:

Ability to appear as a gorgeous woman or phantom


  Prophecy:

In some versions, gifted by Zeus





Lamia Embodies

Themes of Maternal-Grief 


Jealousy & The Danger of

Female Sexuality


In Ancient Myths—A Tragic Victim

Turned Vengeful Predator




Lamia
Left to herself, the serpent now began  
To change; her elfin blood in madness ran,  
Her mouth foam’d, and the grass, therewith besprent,  
Wither’d at dew so sweet and virulent;  
Her eyes in torture fix’d, and anguish drear,
Hot, glaz’d, and wide, with lid-lashes all sear,  
Flash'd phosphor and sharp sparks, without one cooling tear.  
The colours all inflam’d throughout her train,  
She writh’d about, convuls’d with scarlet pain:  
A deep volcanian yellow took the place 
Of all her milder-mooned body’s grace;  
And, as the lava ravishes the mead,  
Spoilt all her silver mail, and golden brede;  
Made gloom of all her frecklings, streaks and bars,  
Eclips’d her crescents, and lick’d up her stars:
So that, in moments few, she was undrest  
Of all her sapphires, greens, and amethyst,  
And rubious-argent: of all these bereft,  
Nothing but pain and ugliness were left.
By John Keats (1795--1821)



John Keats

The English Romantic poet

(1795–1821)

Wrote Lamia"during his extraordinarily productive year of 1819 alongside masterpieces like his great odes.

It was first published in July 1820 as the title poem in his final volume, Lamia, Isabella, The Eve of St. Agnes, and Other Poems

Keats drew the story primarily from Robert Burton's The Anatomy of Melancholy (1621), which retold a tale from Philostratus' ancient Greek account.

Unlike the traditional monstrous child-devouring Lamia of mythology, Keats reimagines her as a complex, sympathetic figure—a serpent-woman capable of genuine love, yet trapped by illusion.

The 1820 first edition volume that introduced "Lamia" to the world:



Plot Summary

The poem is divided into two parts and written in masterful heroic couplets (iambic pentameter rhyming pairs), with occasional variations for dramatic effect.


Part I

In ancient Crete, the god Hermes searches for a beautiful but invisible nymph he desires. He encounters a colorful serpent—Lamia—trapped in that form. She bargains with him: in exchange for revealing the nymph's location, Hermes restores her to a stunning woman's body. Freed, Lamia rushes to Corinth, where she encounters the young philosopher Lycius. They fall passionately in love, and she conjures a luxurious palace for their secluded bliss.


Part II

Lycius, craving public recognition, insists on a grand wedding feast despite Lamia's warnings. He invites his old tutor, the stern philosopher Apollonius. At the banquet, Apollonius fixes his gaze on Lamia and declares her true nature: "A serpent!" Lamia vanishes in agony, and Lycius dies of grief and shock.



Key Themes & Analysis

"Lamia" is one of Keats' most philosophically rich works, exploring profound tensions central to Romanticism:


Imagination vs. Reason

("Cold Philosophy")

The poem's most famous passage laments how science and rational analysis destroy wonder:

  Do not all charms fly 
  At the mere touch of cold philosophy? 
  ... 
  Philosophy will clip an Angel's wings, 
  Conquer all mysteries by rule and line, 
  Empty the haunted air, and gnomed mine— 
  Unweave a rainbow...

  Apollonius embodies destructive rationalism, exposing illusion but annihilating beauty and love in the process.



Illusion vs. Reality

Is Lamia's deception harmful, or is the dream of love worth sustaining? Keats presents both sides ambiguously—Lamia's illusion brings ecstasy, but its exposure brings tragedy.


The Nature of Love & Beauty

 Passionate love is intoxicating yet fragile. Lamia, despite her supernatural origins, experiences real emotion; her transformation reflects desire's power to remake us, but also its vulnerability.




Ambiguity of Sympathy

Critics note Keats' balanced portrayal—Lamia receives considerable sympathy as a victim of fate and reason, yet her deception raises questions. Lycius is caught tragically between worlds.

The poem reflects Keats' personal turmoil: his intense, consuming love for Fanny Brawne and his growing awareness of mortality amid his declining health from tuberculosis



Artistic Illustrations

Keats' vivid, sensual descriptions inspired many artists, often depicting Lamia as the iconic serpent-woman of later folklore:

"Lamia" remains a haunting exploration of beauty's transience and the perilous clash between dream and waking truth—a fitting capstone to Keats' brilliant, brief career.










.  .  .


(TO BE CONTINUED)









REFERENCES:



AN

INTRODUCTION

PART 2

FEMME DEITIES & DEMONESS’:

VISITING THE MADONNA

https://youngsopranos.blogspot.com/2025/12/an-introduction-part-2-femme-deities.html?m=1




THE MOTHER GODDESS

VISITING THE MADONNA

https://youngsopranos.blogspot.com/2025/12/the-mother-goddess-visiting-madonna.html?m=1






INTRODUCTIONS

DEMONS & FAMILIARS:

https://youngsopranos.blogspot.com/2025/12/introductions-demons-familiars.html?m=1




ELECTRA

AKA: "ELLIE"


MEETING DEMON SPIRITS:

BALAAM THE FALSE PROPHET

(PTSD DREAMS)

https://youngsopranos.blogspot.com/2025/12/electra-aka-ellie-meeting-demon-spirits.html?m=1





MATILDA

AKA:

"MATTY ORLANDO"

RETURNS TO VISIT MAMMON

https://youngsopranos.blogspot.com/2025/12/matilda-aka-matty-orlando-returns-to.html?m=1

  





MATILDA

AKA: "MATTY ORLANDO "


MEETING DEMON SPIRITS: MAMMON

(PTSD DREAMS)

https://youngsopranos.blogspot.com/2025/12/matilda-aka-matty-orlando-meeting-demon.html?m=1





MATILDA

AKA: "MATTY ORLANDO"


VISITING THE MADONNA

(& MEETING WOLF-DEMON AAMON)

https://youngsopranos.blogspot.com/2025/12/matilda-aka-matty-orlando-visiting.html?m=1






DEMONS

"LILITH & AAMON"

(MEADOW & JACKIE JR)


A SUPPLIMENT FOR

THE YOUNG SOPRANOS

https://youngsopranos.blogspot.com/2025/12/demons-lilith-aamon-meadow-jackie-jr.html?m=1







AN

ANALYSIS

OF

"THE UNHINGING CRUX"

(Meadow's Virgin Islands Confessions)

FROM

THE YOUNG SOPRANOS(TYS)

https://youngsopranos.blogspot.com/2025/12/analysis-of-unhinging-crux-from-young.html?m=1


AN ANALYSIS &

PHOTO ALBUM OF MEADOW'S MANY FACES

W/CARMELA COMPARISON 






FROM

THE YOUNG SOPRANOS


APPENDIX II:

"Conspiracy of Crows"

https://youngsopranos.blogspot.com/2025/07/the-young-sopranos-appendix-ii.html?m=1


(The Ghost of Tony Soprano

Appears to Carmela)





THE YOUNG SOPRANOS
APPENDIX III

THE GHOST OF TONY SOPRANO
APPEARS TO CARMELA




FROM


THE

YOUNG SOPRANOS






A SUPPLIMENT 

OF

"THE YOUNG SOPRANOS"

https://youngsopranos.blogspot.com/2025/07/read-young-sopranos-source.html?m=1




"MATILDA"

FROM LEON: THE PROFESSIONAL (1994)

https://youngsopranos.blogspot.com/2025/10/matilda-from-leon-professional-1994.html?m=1





MATILDA II

FROM LEON: THE PROFESSIONAL

https://youngsopranos.blogspot.com/2025/10/matilda-ii-from-leon-professional.html?m=1




"MATILDA" III 

FROM LEON: THE PROFESSIONAL

https://youngsopranos.blogspot.com/2025/10/matilda-iii-from-leon-professional-1994.html?m=1


"MATILDA" IV

RESCUING BEETHOVEN

https://youngsopranos.blogspot.com/2025/10/matilda-iv-rescuing-beethoven.html?m=1



"MATILDA"  V 

MATTY ORLANDO 

DATING "JOHNNY B. GOODE"

https://youngsopranos.blogspot.com/2025/10/matilda-v-dating-johnny-b-goode.html?m=1




MATILDA

AKA: "MATTY ORLANDO"

VI

MAKE-UP PRACTICE SESSION

W/ JOHNNY B. GOODE

https://youngsopranos.blogspot.com/2025/10/matilda-aka-matty-orlando-vi-make-up.html?m=1




 MATILDA 

AKA:

"MATTY ORLANDO" 

VII

MEMENTO MORI

(DRUNKEN DREAMS)

https://youngsopranos.blogspot.com/2025/10/matilda-aka-matty-orlando-vii-memento.html?m=1




MATILDA

AKA 

"MATTY ORLANDO" 

SUBWAY RAT DREAMS

https://youngsopranos.blogspot.com/2025/10/matilda-aka-matty-orlando-subway-rat.html?m=1


MATILDA

AKA:

"MATTY ORLANDO" 

VII 


MATTY ORLANDO'S

(Narrative)

"SECRET LIFE" 

(W/ OUT JOHNNY B. GOODE)

https://youngsopranos.blogspot.com/2025/10/matilda-aka-matty-orlando-vii-matty.html?m=1




 


"MATTY ORLANDO"

(ANIME)

RESCUES BEETHOVEN 

https://youngsopranos.blogspot.com/2025/10/matty-orlando-anime.html?m=1




MORE

"MATTY ORLANDO"

(ANIME)


DATING

JOHNNY B. GOODE

https://youngsopranos.blogspot.com/2025/10/matty-orlando-anime-dating-johnny-b.html?m=1






"MATTY ORLANDO"

(ANIME)


MEMENTO MORI

(ROMANCING THE DEAD)

https://youngsopranos.blogspot.com/2025/10/matty-orlando-anime-memento-mori.html?m=1





"MATTY ORLANDO"

(ANIME)

MAKE-UP PRACTICE SESSION

W/ JOHNNY B. GOODE

https://youngsopranos.blogspot.com/2025/10/matty-orlando-anime-make-up-practice.html?m=1




"Johnny B. Goode"

(Live at the Fillmore East, NYC, NY - 1970) · Johnny Winter

https://youtu.be/gEayVWiJtLg?si=iePgaGvJVwQXTAmp






"TOYS IN THE ATTIC"

AEROSMITH--1975







"MATTY ORLANDO"

INSPIRED

BY:


LEON:  THE PROFESSIONAL

(1994)

https://youtu.be/Pf0JW-cAFTs?si=-BMWviJ-Dham07HD







FURTHER

REFERRALS:



READ
THE YOUNG SOPRANOS
(SOURCE)


(W/ +36,000 TOTAL GLOBAL VIEWS)






RAYMOND CURTO JR


DIMEO CRIME FAMILY

(FICTITIOUS CHARACTER WITH MS)


"Our Vision: A World Free of MS"

Delivering Breakthroughs to a Cure

Invested $1.1 billion into research since 1946

Please Consider

Donating to MS SOCIETY:

https://donate.nationalmssociety.org/pages/8528




 


CAITLYN (MOLTISANTI) SOPRANO

(FICTITIOUS CANCER SURVIVOR)


Please

Consider Donating:

ST JUDES

CHILDREN HOSPITAL 

stjude.org





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